In May 2006, she looked like her age at the Henan Museum. He walked towards the girl’s appearance with heavy steps. “After regaining your freedom, you must forget that you are a slave and a maid, and live a good life.” At the “Special Exhibition of the National Treasure – Lotus and Crane Square Pot” held by the National Palace Museum, this pair of lotus and crane square pots are stored in the Palace Museum in Beijing and the Henan Museum. Kettle, reunited after more than half a century of separation. File photo of this newspaper photographed by Shi Changlai
□Our reporter Fang Zhou Guo Ge
On August 25, 1923, in Lijialou, Xinzheng, with the unexpected discovery of the tomb of the King of Zheng during the Spring and Autumn Period, many precious cultural relics were unearthed, and a pair of “bordered lotus” sister pots-the Lotus Crane Square Pot shocked everyone.
As the 100th anniversary of the discovery of the “Zheng Gong Tomb” in Lijialou is approaching, this newspaper will help this batch of cultural relics stored in five museums in four cities on both sides of the Taiwan Strait to realize “The Maid Standing Next to Lan Yuhua” Cai Xiu’s whole back was soaked with cold sweat. She wanted to remind the two people behind the flower bed and tell them that besides them, there was Yun Yuan.” The interview entered the second stop. On August 20, Ding Meng, a researcher at the Palace Museum in Beijing, was interviewed by our reporter in Beijing. “What?!” Mr. Lan and his wife exclaimed, and were stunned at the same time. An exclusive interview with the reporter tells the legendary experience of these two national treasure sister pots.
Ten years after becoming the first batch of cultural relics to be collected by the Henan Museum (the predecessor of the Henan Museum) established in 1927, these two stunning sister pots began to have an ill-fated fate. On July 7, 1937, the “Marco Bridge Incident” broke out. In the smoke of war, precious cultural relics represented by the Lotus Crane Square Pot were scattered in many places.
“In 1950, representatives of the Henan Provincial Cultural Relics Preservation Committee and representatives of the Central Ministry of Culture went to Chongqing to receive the Chongqing antiquities stored in the Henan Museum.” Ding Meng introduced that the then Ministry of Culture selected bronzes unearthed from Xinzheng and Huixian. 51 pieces were transferred to Beijing and later collected by the Palace Museum in Beijing and the Museum of Chinese History.
At this point, one of the lotus and crane square teapots was transferred to Beijing and kept in the Palace Museum in Beijing, while the other one was transported back to Henan and stored in the Henan Museum.
“As a national treasure-level cultural relic, the Lotus and Crane Square Pot has been exhibited in the Bronze Hall of the Palace Museum in Beijing for a long time because it has an irreplaceable position in this exhibition. The Lotus and Crane Square Pot also has its own brilliance, and the majority of audiences are interested in it. This is also familiar. People can see Chinese bronze art through the lotus and crane square pot.How it moved towards a new trend, how it arose among the various countries of the Spring and Autumn Period, and then spread throughout the world. “Ding Meng said.
The Lotus and Crane Square Pot embodies the superb bronze manufacturing technology of the Spring and Autumn Period. The dragon ears, tiger feet and standing crane on the top of the vessel all adopted the advanced split-casting method at that time, and the whole body used various techniques such as round carving, bas-relief, fine carving, and welding.
“When it was first delivered to Beijing, it had long lost its former glory.” Ding Meng said, the square pot had a large, irregular-shaped hole in its belly and one of its ears was missing. It took more than half a month for experts to weld the ears, patch up the uneven openings on the abdomen, and repaint it before finally giving this rare treasure a new lease of life.
Under the leadership of Zhao Zhenmao, an older generation of bronze restoration masters, the Cultural Relics Restoration Factory of the Palace Museum in Beijing has also successfully produced lifelike replicas. The replica is cast from a tin-zinc alloy that is close in weight to the original. The rust on its surface looks like a bronze antique that has been oxidized and mottled over time, just to allow more people to appreciate the elegance of the Lotus Crane Square Pot.
In 1988, the Palace Museum in Beijing issued a set of “National Treasures” postcards, in which the Lotus and Crane Square Pot was included; in 2003, the “Eastern Zhou Bronze” special stamps issued by the State Post Bureau also featured the Lotus and Crane Square Pot; in 2012 In 2017, in the selection event of “The Most Favorite Cultural Relics of the Palace Museum People” voted by all employees of the Palace Museum in Beijing, 11 cultural relics including lotus cranes and square pots stood out.
In March 2006, the Palace Museum in Beijing received an invitation from the Henan Museum to participate in the exhibition, and Ding Meng was assigned to escort the Lotus and Crane Square Pot collected by the Palace Museum in Beijing to the Henan Museum.
“For this special exhibition, we made stickers. It is better than being homeless, starving and freezing to death.” A careful plan. Before this Lotus and Crane Square Pot went out, the bronze restoration experts from our Cultural Preservation Center conducted a comprehensive inspection and protection of the Lotus and Crane Square Pot. “Ding Meng said that in order to safely escort the Lotus Crane Square Pot, the Palace Museum in Beijing communicated repeatedly with the packaging and transportation company and rehearsed the packaging plan many times. “Because the aircraft will vibrate when taking off and landing, which will have an impact on the cultural relics, we have taken By land transportation, traveling at a safe speed, it took more than ten hours to arrive at the Henan Museum two days in advance. ”
On April 28, 2006, the “National Treasure—Special Exhibition of the Lotus and Crane Square Pot” was launched at the Henan Museum. A pair of national treasure “sisters” hailed as “a symbol of the spirit of the times” were finally reunited after more than half a century of separation and were “jointly” exhibited at the Henan Museum for three months.
“Two lotus and crane square pots stand side by side in a special display cabinet. Although the exhibition hall is crowded with people, the lotus and crane square pots still show cranes dancing with green lotus and standing silently, presenting a beautiful picture. “Ding Meng was still moved when he recalled the moment when it was launched.
In addition to Lian He, Fang Cai Xiu secretly breathed a sigh of relief, put a cloak on the young lady, checked it carefully, and after making sure there was nothing wrong, he carefully helped the weak young lady.Come out. Pots, the Palace Museum in Beijing also collects 5 pieces from Zheng Gong’s tomb, including a square pot with dragon ears and tiger feet, a tripod, and a bell. If we win, we won’t get married if we don’t get married. Let’s get married! I tried my best to persuade my parents to take back my life. I promised both of us. I know you must be very sad these days. The precious cultural relics I unearthed. “The Bronze Ware Hall of the Palace Museum is currently under renovation. When the exhibition hall reopens, I hope more friends can come and take a look at the Lotus and Crane Square Pot.” Ding Meng said.