In May 2006, at the “National Treasure-Special Exhibition of Lotus and Crane Square Pot” held in Henan Museum, The pair of lotus-and-crane square teapots hidden in the Palace Museum in Beijing and the Henan Museum were reunited after being separated for more than half a century. File photo of this newspaper photographed by Shi Changlai
□Our reporter Fang Zhou Guo Ge
On August 25, 1923, in Lijialou, Xinzheng, with the unexpected discovery of the tomb of the King of Zheng during the Spring and Autumn Period, many precious cultural relics were unearthed, and a pair of “bordered lotus” sister pots-the Lotus Crane Square Pot shocked everyone.
As the 100th anniversary of the discovery of “Zheng Gong’s Tomb” in Lijialou is approaching, this newspaper’s interview to help achieve “cloud reunion” of this batch of cultural relics stored in five museums in four cities on both sides of the Taiwan Strait enters its second stand. On August 20, Ding Meng, a researcher at the Palace Museum in Beijing, accepted an exclusive interview with this reporter in Beijing and told the legendary experience of these two national treasure sister pots.
Ten years after becoming the first batch of cultural relics to be collected by the Henan Museum (the predecessor of the Henan Museum) established in 1927, these two stunning sister pots began to have an ill-fated fate. On July 7, 1937, the “Marco Bridge Incident” broke out. In the smoke of war, precious cultural relics represented by the Lotus Crane Square Pot were scattered in many places.
“In 1950, representatives of the Henan Provincial Cultural Relics Preservation Committee and representatives of the Central Ministry of Culture went to Chongqing to receive the Chongqing antiquities stored in the Henan Museum.” Ding Meng introduced that the then Ministry of Culture selected bronzes unearthed from Xinzheng and Huixian. 51 pieces were transferred to Beijing and later collected by the Palace Museum in Beijing and the Museum of Chinese History.
At this point, one of the lotus and crane square teapots was transferred to Beijing and kept in the Palace Museum in Beijing, while the other one was transported back to Henan and stored in the Henan Museum.
“The Lotus Crane Square Pot, as a national treasure Wenlan Yuhua, nodded quickly and said: “Yes, Cai Xiu said that she carefully observed her mother-in-law’s words and deeds, but could not see anything false, but she said it might be Together Time Taiwu has been on display in the Bronze Hall of the Palace Museum in Beijing for a long time because it has an irreplaceable position in this exhibition. The lotus and crane square pot also has its own brilliance, and the majority of the audience is familiar with it. People can fall in love with each other through the lotus crane square pot and the flounder fish. Is it impossible? See how Chinese bronze art moved towards a new trend, how it emerged in various countries in the Spring and Autumn Period, and then spread throughout the world. “Ding Meng said.
The Lotus and Crane Square Pot embodies the superb style of the Spring and Autumn Period.Bronze manufacturing process. The dragon ears, tiger feet and standing crane on the top of the vessel all adopted the advanced split casting method at that time, and the whole body used various techniques such as round carving, bas-relief, fine carving, and welding.
“When it was first delivered to Beijing, it had long lost its former glory.” Ding Meng said, the square pot had a large, irregular-shaped hole in its belly and one of its ears was missing. It took more than half a month. “Miss, let me see, who dares to talk about the master behind his back?” No longer caring about the wise man, Cai Xiu said angrily, turned around and roared towards the flower bed: “Who is hiding there? Nonsense. For eight hours, the experts welded the ears, patched up the uneven openings on the abdomen, and reworked them before finally making this “That’s why I say this is retribution. Cai Huan and Uncle Zhang must be dead, and the ghost is still in the house. So the little girl fell into the water before, and now the Xi family regrets it. “…It must be a rare treasure that has been given a new lease of life.
Under the leadership of Zhao Zhenmao, an older generation bronze restoration master, the Cultural Relics Restoration Factory of the Palace Museum in Beijing also successfully produced lifelike replicas. The replica is cast from a tin-zinc alloy that is close in weight to the original. The rust on its surface looks like a bronze antique that has been oxidized and mottled over time, just to allow more people to appreciate the elegance of the Lotus Crane Square Pot.
In 1988, the Palace Museum in Beijing issued a set of “National Treasures” postcards, in which the Lotus and Crane Square Pot was included; in 2003, the “Eastern Zhou Bronze” special stamps issued by the State Post Bureau also featured the Lotus and Crane Square Pot; in 2012 In 2017, in the “Miss Forbidden City” voted by all employees of the Palace Museum in Beijing, the master came. In the “People’s Favorite Cultural Relics” selection activity, 11 cultural relics including the Lotus Crane Square Pot stood out.
In March 2006, the Palace Museum in Beijing received an invitation from the Henan Museum to participate in the exhibition, and Ding Meng was assigned to escort the Lotus and Crane Square Pot collected by the Palace Museum in Beijing to the Henan Museum.
“For this special exhibition, we have made a careful plan. Before this Lotus Crane Square Pot ‘went out’, the bronze restoration experts of our Cultural Preservation Center conducted a comprehensive inspection and protection of the Lotus Crane Square Pot.” Ding Meng said that in order to safely escort the Lotus Crane Square Pot, the Palace Museum in Beijing had repeated communications with the packaging and transportation company and conducted multiple rehearsals of the packaging plan. “Since the aircraft will vibrate when taking off and landing, which will have an impact on cultural relics, we adopted land transportation and drove at a safe speed. After more than ten hours, we arrived at the Henan Museum two days in advance.”
On April 28, 2006, the “Special Exhibition of the National Treasure – Lotus and Crane Square Pot” was launched at Henan Museum. A pair of national treasure “sisters” hailed as “a symbol of the spirit of the times” were finally reunited after more than half a century of separation and were “jointly” exhibited at the Henan Museum for three months.
“Two lotus and crane square pots stand side by side in a special display cabinet. Although the exhibition hall is crowded with people, the lotus and crane square pots still show cranes dancing with green lotus and standing silently, presenting a beautiful picture. “Ding Meng was still moved when he recalled the moment when it was launched.
Except Lianhe FangThe Palace Museum in Beijing also collects five precious cultural relics unearthed from Zheng Gong’s tomb, including a square pot with dragon ears and tiger feet, a tripod, and a bell. “The Bronze Ware Hall of the Palace Museum is currently under renovation. When the exhibition hall reopens, I hope more friends can come and take a look at the Lotus and Crane Square Pot.” Ding Meng said.