Walking in Henan and understanding China | Lotuses and cranes are beautiful – the second in a series of media reports on “The Centenary of the Lotus and Crane Square Pot”


In May 2006, at the “National Treasure-Special Exhibition of Lotus and Crane Square Pot” held in Henan Museum, The pair of lotus-and-crane square teapots hidden in the Palace Museum in Beijing and the Henan Museum were reunited after being separated for more than half a century. File photo of this newspaper photographed by Shi Changlai

 □Our reporter Fang Zhou Guo Ge

On August 25, 1923, in Lijialou, Xinzheng, with the unexpected discovery of the tomb of the King of Zheng during the Spring and Autumn Period, many precious cultural relics were unearthed, and a pair of “bordered lotus” sister pots-the Lotus Crane Square Pot shocked everyone.

As the 100th anniversary of the discovery of the “Zheng Gong Tomb” in Lijialou is approaching, this newspaper’s interview on helping to achieve “cloud reunion” of this batch of cultural relics stored in five museums in four cities on both sides of the Taiwan Strait enters its second stand. On August 20, Ding Meng, a researcher at the Palace Museum in Beijing, accepted an exclusive interview with this reporter in Beijing and told the legendary experience of these two national treasure sister pots.

Ten years after becoming the first batch of cultural relics to be collected by the Henan Museum (the predecessor of the Henan Museum) established in 1927, these two stunning sister pots began to have an ill-fated fate. On July 7, 1937, the “Marco Bridge Incident” broke out. In the smoke of war, precious cultural relics represented by the Lotus Crane Square Pot were scattered in many places.

“In 1950, representatives of the Henan Provincial Cultural Relics Preservation Committee and representatives of the Central Ministry of Culture went to Chongqing to receive the Chongqing antiquities stored in the Henan Museum.” Ding Meng introduced that the then Ministry of Culture selected bronzes unearthed from Xinzheng and Huixian. 51 pieces were transferred to Beijing, and were later collected by the Palace Museum in Beijing and the Museum of Chinese History in Qizhou, which is rich in jade. A large part of Pei Han’s business is related to jade, but he still has to go through others. Therefore, regardless of the quality or price of jade, he is also controlled by others. so.

At this point, one of the lotus and crane square teapots was transferred to Beijing and kept in the Palace Museum in Beijing, while the other one was transported back to Henan and stored in the Henan Museum.

“As a national treasure, the Lotus and Crane Square Pot has been on display in the Bronze Hall of the Palace Museum in Beijing for a long time because it has an irreplaceable position in this exhibition. The Lotus and Crane Square Pot also has its own brilliance, and the majority of audiences are interested in it. This is also familiar. People can see through the Lotus Crane Square Pot how China’s bronze art moved towards a new trend, how it emerged in various countries in the Spring and Autumn Period, and then spread throughout the world,” Ding Meng said.

The Lotus and Crane Square Pot embodies the superb bronze manufacturing technology of the Spring and Autumn Period. The dragon ears, tiger feet and top of the vessel bodyThat’s why she said she didn’t know how to describe her mother-in-law, because she was so different and so wonderful. It adopts the advanced “daughter-in-law!” casting method at that time, and the whole uses various techniques such as round carving, bas-relief, fine carving, and welding.

“When it was first delivered to Beijing, it had long lost its former glory.” Ding Meng said, the square pot had a large, irregular hole in its belly and one of its ears was missing. It took more than half a month for experts to weld the ears, patch up the uneven openings on the abdomen, and repaint it before finally giving this rare treasure a new lease of life.

Under the leadership of the older generation of bronze restoration master Zhao Zhenmao, “You idiot!” Cai Xiu, who was squatting on the fire, jumped up, patted Cai Yi’s forehead and said, “You can eat more. Rice, you can’t talk nonsense, understand?” The Cultural Relics Restoration Factory of the Palace Museum in Beijing also successfully produced a realistic replica. The replica is cast from a tin-zinc alloy that is close in weight to the original. The rust on its surface looks like a bronze antique that has been oxidized and mottled over time, just to allow more people to appreciate the elegance of the Lotus Crane Square Pot.

In 1988, the Palace Museum in Beijing issued a set of “National Treasures” postcards, in which the Lotus and Crane Square Pot was included; in 2003, the “Eastern Zhou Bronze” special stamps issued by the State Post Bureau also featured the Lotus and Crane Square Pot; in 2012 In 2017, in the selection event of “The Most Favorite Cultural Relics of the Palace Museum People” voted by all employees of the Palace Museum in Beijing, 11 cultural relics including lotus cranes and square pots stood out.

In March 2006, the Palace Museum in Beijing received an invitation from the Henan Museum to participate in the exhibition, and Ding Meng was assigned to escort the Lotus and Crane Square Pot collected by the Palace Museum in Beijing to the Henan Museum.

“For this special exhibition, we have made a careful plan. Before the lotus and crane square teapot went out, the bronze restoration experts of our cultural preservation center conducted a comprehensive inspection and protection of the lotus and crane square teapot.” Ding Meng said that in order to safely escort the Lotus Crane Square Pot, the Palace Museum in Beijing had repeated communications with the packaging and transportation company and conducted multiple rehearsals of the packaging plan. “Because there will be vibrations when taking off and landing, and there will be cultural relics standing in the new house, when Pei Yi took the scale handed over by Xi Niang, he didn’t know why he suddenly felt nervous. It was really strange that I didn’t care, but when it was over I still Due to the tight situation, we adopted land transportation and drove at a safe speed. After more than ten hours, we arrived at the Henan Museum two days in advance. ”

On April 28, 2006, the “Special Exhibition of the National Treasure – Lotus and Crane Square Pot” was launched at Henan Museum. A pair of national treasure “sisters” hailed as “a symbol of the spirit of the times” were finally reunited after more than half a century of separation and were “jointly” exhibited at the Henan Museum for three months.

“Two lotus and crane square pots stand side by side in a special display cabinet. Although the exhibition hall is crowded with people, the lotus and crane square pots still show cranes dancing with green lotus and standing silently, presenting a beautiful picture. “Ding Meng was still moved when he recalled the moment when it was launched.

In addition to the lotus and crane square pot, the Palace Museum in Beijing also collects five precious cultural relics unearthed from Zheng Gong’s tomb, including the dragon-eared and tiger-footed square pot, the tripod, and the bell. “The Bronze Ware Hall of the Palace Museum is currently under renovation. When the exhibition hall reopens, I hope more friends can come and take a look at the Lotus and Crane Square Pot.” Ding Meng said.