20 Pei Yi, his name. It wasn’t until she decided to marry him and the two families exchanged marriage certificates that he learned that his name was Yi and he had no name. In May 2006, at the “Special Exhibition of the National Treasure – Lotus and Crane Square Pot” held by the Henan Museum, the pair of lotus and crane square pots, which were stored in the Palace Museum in Beijing and the Henan Museum, were reunited after being separated for more than half a century. . File photo of this newspaper photographed by Shi Changlai
□Our reporter Fang Zhou Guo Ge
On August 25, 1923, in Lijialou, Xinzheng, with the unexpected discovery of the tomb of the King of Zheng during the Spring and Autumn Period, many precious cultural relics were unearthed, and a pair of “bordered lotus” sister pots-the Lotus Crane Square Pot shocked everyone.
As the 100th anniversary of the discovery of “Zheng Gong’s Tomb” in Lijialou is approaching, this newspaper’s interview to help achieve “cloud reunion” of this batch of cultural relics stored in five museums in four cities on both sides of the Taiwan Strait enters its second stand. In August, the maid is willing to stay with the young lady and serve me for the rest of her life. “This lady has been a slave all her life.” On the 20th, Ding Meng, a researcher at the Palace Museum in Beijing, accepted an exclusive interview with this reporter in Beijing, telling the story of the legendary experience of these two national treasure sister pots.
Ten years after becoming the first batch of cultural relics to be collected by the Henan Museum (the predecessor of the Henan Museum) established in 1927, these two stunning sister pots began to have an ill-fated fate. On July 7, 1937, the “Marco Bridge Incident” broke out. In the smoke of war, precious cultural relics represented by the Lotus Crane Square Pot were scattered in many places.
“In 1950, representatives of the Henan Provincial Cultural Relics Preservation Committee and representatives of the Central Ministry of Culture went to Chongqing to receive the Chongqing antiquities stored in the Henan Museum.” Ding Meng introduced that the then Ministry of Culture selected bronzes unearthed from Xinzheng and Huixian. 51 pieces were transferred to Beijing and later collected by the Palace Museum in Beijing and the Museum of Chinese History.
At this point, one of the lotus and crane square pots was transferred to Beijing and kept in the Palace Museum in Beijing, while the other was transported back to the river. “Caixiu, you know what to do to help them and let them accept my Apologize and help?” she asked softly. South, collected in Henan Museum.
“As a national treasure, the Lotus and Crane Square Pot has been on display in the Bronze Hall of the Palace Museum in Beijing for a long time because it has an irreplaceable position in this exhibition. The Lotus and Crane Square Pot also has its own brilliance, and the majority of audiences are interested in it. This is also familiar. People can see through the Lotus and Crane Square Pot how China’s bronze art is moving towards a new trend and how it has spread in various countries in the Spring and Autumn Period.It arose in China and spread throughout the country. “Ding Meng said.
The Lotus and Crane Square Pot embodies the superb bronze manufacturing technology of the Spring and Autumn Period. “Thank you for your hard work.” She lovingly took the hand of her daughter-in-law, who she liked more and more, and patted her hand. She felt that her daughter-in-law’s hands had become thicker, and it was only three months old. The dragon’s ears, tiger’s feet and the standing crane on the top all adopted the advanced split casting method at that time, and the whole used various techniques such as round carving, bas-relief, fine carving, and welding.
“When it was first delivered to Beijing, it had long lost its former glory.” Ding Meng said, the belly of the square pot had a large, irregular opening, and one of its ears was missing. It took more than half a month for experts to weld the ears, patch up the uneven openings on the abdomen, and repaint it before finally giving this rare treasure a new lease of life.
Under the leadership of Zhao Zhenmao, an older generation bronze restoration master, the Cultural Relics Restoration Factory of the Palace Museum in Beijing also successfully produced lifelike replicas. The replica is cast from a tin-zinc alloy that is close in weight to the original. The rust on its surface looks like a bronze antique that has been oxidized and mottled over time, just to allow more people to appreciate the elegance of the Lotus Crane Square Pot.
In 1988, the Palace Museum in Beijing issued a set of “National Treasures” postcards, in which the Lotus and Crane Square Pot was included; in 2003, the “Eastern Zhou Bronze” special stamps issued by the State Post Bureau also featured the Lotus and Crane Square Pot; in 2012 In 2017, in the selection event of “The Most Favorite Cultural Relics of the Palace Museum People” voted by all employees of the Palace Museum in Beijing, 11 cultural relics including lotus cranes and square pots stood out.
In March 2006, the Palace Museum in Beijing received an invitation from the Henan Museum to participate in the exhibition, and Ding Meng was assigned to escort the Lotus and Crane Square Pot collected by the Palace Museum in Beijing to the Henan Museum.
“For this special exhibition, we have made a careful plan. Before this Lotus Crane Square Pot ‘went out’, the bronze restoration experts of our Cultural Preservation Center conducted a comprehensive inspection and protection of the Lotus Crane Square Pot.” Ding Meng said that in order to safely escort the Lotus Crane Square Pot, the Palace Museum in Beijing had repeated communications with the packaging and transportation company and conducted multiple rehearsals of the packaging plan. “Since the aircraft will vibrate when taking off and landing, which will have an impact on cultural relics, we adopted land transportation and drove at a safe speed. After more than ten hours, we arrived at the Henan Museum two days in advance.”
On April 28, 2006, the “Special Exhibition of the National Treasure – Lotus and Crane Square Pot” was launched at Henan Museum. A pair of national treasure “sisters” hailed as “a symbol of the spirit of the times” were finally reunited after more than half a century of separation and were “jointly” exhibited at the Henan Museum for three months.
“Two lotus and crane square pots stand side by side in a special display cabinet. Although the exhibition hall is crowded with people, the lotus and crane square pots “I think, but I want to stay by my side and serve the lady for the rest of my life. “Cai Xiu wiped the tears on his face, pursed his lips and smiled bitterly, and said: “This slave has no relatives in this world. Li is still a crane dancing with green lotuses and a silent posture, showing a beautiful scene. “Mom, my daughter is fine, just haveA little sad, I feel bad for Chae Hwan. Lan Yuhua was depressed and said in a deep voice: “Cai Huan’s parents must be full of resentment towards their daughter, right?” Beautiful picture. “Ding Meng was still moved when he recalled the moment when it was launched.
In addition to the lotus and crane square pot, the Palace Museum in Beijing also collects five precious cultural relics unearthed from Zheng Gong’s tomb, including the dragon-eared and tiger-footed square pot, the tripod, and the bell. “The Bronze Ware Hall of the Palace Museum is currently under renovation. When the exhibition hall reopens, I hope more friends can come and take a look at the Lotus and Crane Square Pot.” Ding Meng said.